Maria Callas, the world's greatest opera singer, lives out the final days of her life in 1970s Paris as she confronts her identity and life... Angelina Jolie and director Pablo Laraín discuss how they are connected to the heartbreaking true story of world-renowned opera singer Maria Callas.. The third and final film in Pablo Laraín's so-called "Lady in Heels" trilogy of female-led biopics, following Jackie (2016) and Spencer (2021).. Maria Callas: Book me a table at a café where the waiters know who I am. I'm in the mood for praise.. Featured in Close-Up: Why Do We Need the Venice Film Festival? (2024). Otello Act 4: 'Ave Maria' (Desdemona) Performed by Maria Callas, Orchestre de la Société des Concerts du Conservatoire Conductor: Nicola Rescigno Written by Giuseppe Verdi, Arrigo BoitoA Warner Classics Release, (p) 1964 Parlophone Records Limited 2014 Parlophone Records Limited Courtesy of Warner Music Group Germany Holding GmbH, a Warner Music Group company. I'm sure this film was made with a lot of care and love, BUT what it lacked most in my opinion was BREATH. Opera singers learn how to control their breath in order to captivate ours. And I agree with the other less favorable reviews that the opening scene was indeed a poor example of lip-syncing, especially since I couldn't see Ms. Jolie breathing! Sure, La Callas lived a glamorous life, but to me the focus seemed more on the visuals in this film. This is a movie that made me stop watching it until the end and I regret it. I had high hopes for these two iconic ladies too.. "One Hundred Years of Solitude" is one of the biggest TV and streaming releases this month. Check out our December calendar for more!